I’m still listening to Barbarians, the new Young Knives album. It’s been over a month now and I’m still so impressed. The title track and Sheep Tick tie as fabourites for me.
Month: November 2020
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xbox x or ps5?
I’m hoping this isn’t the modern incarnation of VHS or Betamax. I’m favouring Xbox X but notoriously wrong in things like this.
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there’s something…
incredibly soothing about bagging comic books. It’s Wednesday and this evening’s been devoted to picking up my pulls from my LCS and then re-bagging the Marvel run of Micronauts I’m just about to complete.
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microblog
I like the idea of microblogging – essentially tweeting away from Twitter – but increasingly dislike and distrust social media. I much preferred the early, old days of blogging. So, after a little thought, I believe I’ve got a neat way of microblogging her to my web site.
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The Hatred of Video Games is Simply Suspicion of Youth
Rather neat, germane piece by Ian Dunt about the way in which video games are stigmatised:
Why should video games be seen as particularly addictive, compared to watching football, say, or soap operas? Both of these activities lead to people obsessively looking at a screen, day in and day out. Both seem to bring a lot of joy to the person doing them but look like a zombified state of hypnotism to those outside of it.
The answer is simple: It is because video games are enjoyed by the young. And like the video nasties scare in the 80s, or the rave scare in the 90s, or much of the commentary today about Instagram, older people tend to presume that anything the young like is somehow fundamentally wrong and dangerous, because they do not understand it.
The Hatred of Video Games is Simply Suspicion of Youth, politics.co.ukIf Dunt’s claims about data are correct, it turns out that gaming seems to boost happiness (certainly among those who enjoy playing games).
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The Subjective Turn
Fascinating article on Hegel, historicism and human nature by Jon Stewart in Aeon magazine.
Today, we dedicate much of our lives to developing and asserting some sense of personal self-identity that is identifiable and separable from that of others. People have become increasingly creative in the ways in which this is done. The obsession today of creating a profile for oneself on social media has often been cited as an example of the narcissism of the modern age. It lends itself to an exaggeration of the importance of one’s activities and accomplishments and tends to tune out anything in the external world, such as one’s failures or shortcomings, that doesn’t fit with the narrative one wants to tell about oneself. In all of this we see sometimes seemingly desperate attempts to create a fictional persona for ourselves that’s different from others. Independent of any actual facts, people can become authors of their own stories – true or imaginary – that they can tell as they wish.
The Subjective Turn, Aeon -
Standardisation? The National Curriculum and Assessment
Notes from English and Its Teachers by Simon Gibbons (2017)
In this chapter Gibbons presents the changes to English during the period of the 20 years-long Conservative government. His starting point is the 1988 Kingman Report and the introduction of the National Curriculum, the first attempt at prescribing the context of English teaching. It was a centrally-driven, top-down reform. This is the period where English teachers’ influence over policy waned and there developed a growing sense of deprofessionalisation. It saw the removal of 100% coursework and the introduction of national testing at 14.
- Introduction of the National Curriculum in late 1980s and subsequent action saw the “progressive, personal growth model of English” come under attack from both Left and Right. The relentless pressure caused fundamental changes to the way English was “framed” and taught. Those resisting change were marginalised.
- “The dual weapons of curriculum and assessment, reinforced by an increasingly oppressive accountability framework manifested in school league tables, perfomance targets and Ofsted inspection, threatened for many English teachers what they considered to be the good practice that had evolved through previous decades.”
- ▾ THE NATIONAL CURRICULUM FOR ENGLISH
- Callaghan’s Ruskin College speech in 1976 seen as the “starting pistol” for “the long race towards the first National Curriculum”.
- Abolition of the Schools Council in 1982.
- “where there was a focus on education in the early years ofThatcher’s administration it was predominantly on
advancing policies that would serve to bring the market into education, and to lessen the influence and scope of the Local Education Authorities” - Not until 1988 Education Act that “the spotlight was shone directly on curriculum”
- In mid-1980s, HMI published Curriculum Matters papers (“forerunners to the National Curriculum”). Gibbons claims these were “in many ways strikingly imaginative in their approach to curriculum” and that the ideas were “in no way at odds with the kind of progressive, child-centred model of English that, for many, had by the mid-1980s assumed the place of an orthodox approach to the teaching of the subject”. Points out that one pamphlet regarded English as an “art”.
- English from 5-16 had an “open and democratic tone”.
- English 5-16: “In terms of the development of a National Curriculum for English, then, this
was no bad starting point. The pupil was being placed at the very centre of learning in the subject, the complexity of the discipline was acknowledged and there was a strong sense of consultation and communication in the development of what
might at some point become policy. As the National Curriculum became a reality, however, this democratic spirit seemed to be steadily eroded; relatively quickly
policymakers seemed to realise that, in terms of English at least, dialogue with the profession would be unlikely to lead to consensus, and it would be even less likely to lead to an agreement on the kind of version of the subject that successive Conservative governments apparently wanted – a back-to-basics approach that would reverse the perceived, but never really evidenced, fall in standards which, it
was alleged by those on the right of the political spectrum, accompanied the introduction of progressive methods from the 1960s and was a product of comprehensivisation.”
▾ THE KINGMAN REPORT- Sir John Kingman chaired report committee. Kingman was a mathematician. President of the Royal Statistical Society. Committee did consult widely. ▾ Kingman report’s recommendations included:
- training of all new teachers in knowledge about language
- all NQTs should engage in a language study relevant to their subject specialism
- called for establishment of a National Language Project (came to fruition in LINC).
- Department of Education’s response was to call report “interesting”.
- NATE welcomed report but saw its conception of language as inadequate. Also challenged the prescriptive view of language teaching (citing no evidence). [Stubbs says that there is little evidence that direct language teaching improves children’s English.] NATE concerned that study of language for its own sake in a crowded curriculum would prevent children developing competence as language users.
▾ COX’S NATIONAL CURRICULUM (1988)- Kingman Report “quickly superseded” by English for Ages 5-16, the first version of the NC.
- Statutory orders drafted by committee led by Prof Brian Cox (one of the key authors of Black Papers).
- Suggests that Cox had some sympathies for progressive education. “it was clear from English for Ages 5-16 that Cox’s view on English showed some real appreciation of the complexities of tire subject and of varying perspectives held by the profession on the aims of English and what it should be to children”. ▾ Cox encapsulated complexities of aims of English as “views” which became “Cox’s model”:
- personal growth
- cross-curricular
- adult needs
- cultural heritage
- cultural analysis
- Shakespeare given only statutory place
- Document was a mix of prescription and descriptive. “It invited English teachers to consider these debates and in doing so reassured them that there was not an attempt to simplify the complexity of the subject”.
- “In fact, Cox considered that the ideas on teaching English from Bullock, Kingman and his own curriculum could be seen as ‘an organic growth’ (Cox, 1995, p. 190). If that were indeed true then Cox’s curriculum would rightly be looked on as progressive and, to a large extent, in tune with the progressive ideas about English that had been evolving over theprevious three decades.”
- “many English teachers now view the Cox curriculum as a humane and principled attempt to set out both an inclusive rationale for English and a broad and balanced subject content, with many italicised sections of the document offering helpful guidance to support the statutory orders”
- Harold Rosen – Teaching London Kids (magazine) – opposed to “this” National Curriculum.
- NATE welcomed aspectes of English 5-16, particularly how it handled standard English – but criticised circumscribing performance in English with a linear scale of levels. “The progressive view of English adopted as NATE’s orthodoxy viewed the English curriculum as recursive, a spiral curriculum where children continually return to key ideas and concepts and deepening understanding.”
- “In a sense, that Cox’s curriculum was widely
welcomed by the profession may have been as much due to a sense of relief at what it wasn’t as a celebration of what it was, and the affinity’ to Cox’s view of English was no doubt heightened by subsequent events – the passing of time and future curriculum rewrites certainly influenced many English teachers’ judgement of Cox and his curriculum.”
▾ PASCALL’S THE CASE FOR REVISING THE ORDER (1992)- Policymakers quickly revised the English orders.
- National Curriculum English: The Case for Revising the Order (1992). Gibbons describes it as “a curious read”. “There are clear messages in the document about the areas of English Cox was deemed to have failed in properly forefronting; the teaching of initial reading and the specification of named literary figures featured, but once again attention to grammar and Standard English remained the strongest areas of criticism.”
- Brian Cox – Cox on the Battle for the English Curriculum (1995).
- Cox pointed out that ministers gave key positions in the NCC and SEAC to supporters of conservative thinking on education (John Marenbon, Sheila Lawlor and John Marks – members of the Centre for Policy Studies). Gibbons points out that Cox is not unbiased in his accounts and attempts to salvage his own reputation and legacy.
- David Pascall, “a chemical engineer” oversaw drafting of new orders.
- “The contrast between the Pascall and the Cox curricula was stark; the earlier document highlighted the complexities and ambiguities of the subject, whereas the latter offered certainties, perhaps most wonderfully encapsulated in the heavily value-laden
and deeply questionable assertion ‘Standard English is characterised by the correct use of vocabulary and grammar’”. - Pascall’s view was more in tune with ministers: a back-to-basics approach to reading and writing, speaking and listening.
▾ THE DEARING REVIEW (1993)- Consultation process suggested that English teachers were largely satisfied with Cox version of NC.
- “The changes it generated were minimal – the
most notable was probably the simplifying ofthe writing attainment target so that the proposed separate strands for ‘grammar’, ’spelling’ and ‘punctuation’ were
removed. Embedding the technical elements of written English into a broader notion of written composition was a welcome reversal, but the final draft was not
so vastly different from Pascall’s. However, the knowledge that things could have been worse may have muted the protests that resulted on its publication.” - 1995 version of NC was slimmed down. No introductory paragraph on the purposes or aims of the subject.
- Now a prescribed list of authors introduced.
- Subject associations claimed that their views were not being listened to. A cosmetic exercise.
- According to Cox only one practising English teacher on the SCAA English consultative committee. (There were others: advisors and head teachers.)
- The “givens” of the revised NC were: grammar/standard English, literary canon, Shakespeare and bilingualism.
- Chris Woodhead denied there had been ministerial interference in the final order (anonymously authored).
- “Despite the apparent lack of enthusiasm for the curriculum rewrite, and despite the many objections to the new programmes of study, there was no particular
protest as the orders were phased in during the mid-1990s. This may have been because English teachers considered that they would be able to sustain good practice in spite ofstatutory orders, or it may have been an indication ofthe erosion of the
profession’s belief that any power it had to influence the direction of policy was being steadily eroded.
▾ LANGUAGE IN THE NATIONAL CURRICULUM PROJECT- “The story of the LINC project is perhaps the most astonishing example of the Conservative government’s
attempt to control the teaching of English language in schools, and a striking example of their failure to do this in the face of an English teaching community
that – whilst it may not have been intentionally subversive – was not going to accept any simple approach to the teaching of grammar and Standard English.” - LINC set up under the direct control of the DfE and materials to exemplify the Kingman model of language.
- “The grand plan, however, failed spectacularly.”
- John Richmond – Unstable Materials (English and Media Magazine): mistakes: appointment of Ron Carter and to allow LEAs to have a say in the appointment of experts to lead LINC work (resulting in a “ragbag of people of the worst sort”).
- LINC materials split into two sections covering topics like: early language, the process of writing, accent dialogue and standard English and multiculturalism.
- “The materials offered a comprehensive and complex view of language and its forms, and it’s certain that a teacher engaging with them would have their own subject knowledge for teaching enhanced. Sadly, the majority of English teachers did not have the opportunity to access the LINC project training. Despite revisions made by Ron Carter, the government took the decision not to publish the final LINC materials, and further than that it refused to
waive its copyright, thus meaning that interested commercial publishers would not be at liberty to run with the material.” - DfE did allow the LINC material to be used in-service education.
- “The story of the LINC project is perhaps the most astonishing example of the Conservative government’s
▾ ASSESSMENT BATTLES- “it was assessment that brought English teachers and the policymakers into direct conflict in the 1990s”
- 100% coursework removed in 1994.
- National testing for students at 14 was due to be introduced in 1993. Ken Baker set up the Task Group on Assessment (TGAT) in 1987 chaired by Paul Black.
- TGAT report in 1987 stressed need for national testing to be predominately formative. Warned against using data for league tables.
- English tests Anthology was a significant issue. “Clearly significant numbers of English teachers felt this imposition of a hand-picked collection of texts was an affront to their own professionalism, and that it had the potential to very radically change the nature of classroom practice and the curriculum.”
- Gibbons says that the Anthology was something “a particular type of educated conservative thought it would be good for children to read”
- Testing of Shakespeare through focus on s single scene and levelling children’s achievement also contributed to English teachers’ anger.
- LATE led campaign. Brian Cox claimed: “teaching to get high marks in the SATs will be bad teaching”.
- Unions took over campaign and called for boycott on grounds of workload. John Hickman argues this was a mistake.
- Boycott’s effects: Anthology disappeared, John Marenbon chair of SEAC resigned.
- Boycott viewed as a short-lived victory by English teachers.
- “The boycott of Key Stage 3 testing demonstrated English teachers could still
wield some collective power. This would not be allowed to happen again. The LATE-inspired campaign to boycott the SATs remains, however, the last teacher-led
movement to effectively cause a change in policy. For that, if for nothing else, it should be celebrated.”
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X of Swords: Prelude to #10
It’s taken me a long time to get into X of Swords, the current X-Men crossover event. While I’m intrigued by Jonathan Hickman’s take on Marvel’s mutants set up in House of X/Powers of X, I can’t say I’m enjoying it. I dig some of the SF aspects of the premise, particularly the retconning of Moira McTaggart as a reality-altering mutant and the glimpses of the far future. Some of the artwork has been gorgeous. I’m struggling with the way that there are no mutant heroes and villains any more and that the X-Men characters I grew up reading aren’t behaving how they used to. Anyhow, I’m doing my best to keep up with the main title, X-Men, each month and I’m using this crossover to see what the other titles are like.
Here are my brief thoughts on the first half X of Swords comics:
- 00 – Prelude: Excalibur #12 – ★★★✩✩ – Apocalypse opens a gate/portal to Otherworld in order to use it as a route back to Arrakko. The portal needs the energies of ancient mutants to open. A mutant called Candra has hidden herself in a jewel stolen by Gambit.
- 00 – Prelude X-men #12 – ★★½✩✩ – Summoner, the grandson of Apocalypse, recounts the history of Arakko. At the end, Apocalypse sends Summoner, Banshee and Unus the Unconquerable through the portal. This is heavy-duty Fantasy back-story building. Very hard to keep all this straight in my head.
- 01 – X of Swords: Creation – ★★★½✩ – Complex issue involving tarot cards; the betrayal of Summoner; a team of mutants from Krakoa entering Otherworld; Apocalypse reunited (and then attacked) by his children who are the original Four Horsemen; Cyclops, Jean Grey and Young Cable activate the Peak, the HQ of SWORD. Saturnyne negotiates a sword fighting competition between Krakoan and Arakko champions. I’m not clear about the motivations of the demon horde or the original Horseman other than that they want power.
- 02 – X-Factor #4 – ★★★✩✩ – The Krakoans return from Otherworld. Rictus and Rockslide are resurrected but because Rockslide was killed in Otherworld, he is resurrected as an amalgam of different versions from other realities. Polaris is given clues to the swords and their wielders and builds a “casting circle” for the tournament. They will need the ten swords in order to open the portal to Otherworld. I guess the purpose of this issue was to raise the stakes: no more resurrections during the event. Plus there’s the possibility of some refreshed characters.
- 03 – Wolverine #6 – ★★★½✩ – Wolverine hunts for a Murmasa blade to take part in the tournament and, somehow, gets into Hell to find the swordsmith. Concurrently, the War and Pestilence release a prisoner called Solem from a pit in the Tower of Broken Will who is also tasked with finding the sword. I liked this. Bogdanovic’s art is great and the character of Solem, who we find has adamantium-laced skills is enjoyable (he’s had a lovely 100 years down in the pit and is both a poet and fighter).
- 04 – X-Force #13 – ★★★½✩ – Wolverine regenerates after climbing out of a lava pit. He teams up with Solem to retrieve the sword – which actually turns out to be two blades – from the demon known as the Beast. At the end of the story Wolverine agrees to something we have yet to find out in return for one of the blades.
- 05 – Marauders #13 – ★★★½✩ – Storm travels to Wakanda and steals the sacred blade, Skybreaker. The tension between Storm and T’Challa is quite touching
- 06 – Hellions #5 – ★★✩✩✩ – Silly – apparently funny – issue. Empath, a pretty obnoxious minor character is resurrected. The ego-centric Mr Sinister leads the Hellions team into Otherworld with a plan to steal the Arakko champions’ swords. My least favourite issue so far.
- 07 – New Mutants #13 – ★★★★✩ – Really enjoyed this one. Cypher faces up to the reality that he will die if he fights in the tournament. Warlock transforms into a sword. Cypher gets trained by Magik. After the complex and noisy main issues by Hickman, these crossover issues are turning out to be more enjoyable than I thought.
- 08 – Cable #5 – ★★½✩✩ – Seemingly little to do with the main story, Young Cable, Cyclops and Jean Grey encounter monsters from another dimension on board the Peak.
- 09 – Excalibur #13 – ★★½✩✩ – Ponderous, slow story about the Braddock family tricking Saturnyne into giving Betsy the Starlight Sword. It’s the sort of thing that used to be done in 3 panels in the old days. The art by R.B. Silva is lovely, though.
- 10 – X-Men #13 – ★★½✩✩ – Apocalypse gets healed, travels to Egypt and collects the Sword called Scarab. He recounts the events that led to the creation of Krakoa and Arakko, which I’m sure have been told in this event at least once before.
- 11 – X of Swords: Stasis – ★★★½✩ – A great deal happens in this issue. We get to see other realms and their representatives in Saturnyne’s parliament. The champions of Arakko are rounded up and bring their swords (there’s a double page info-page about their swords). More tarot cards and Apocalypse has is reunited with his wife, Genesis who is the main villain. It was fairly obvious from the start.
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Wolfgang Voight/GAS, Königsforst
A few days ago I happened to stumble across a list of Eight Great Minimal Electronic Records You Need to Hear. Minimal techno – if it’s what you could call the music on the list – is something I haven’t listened to a great deal so I thought I’d have a listen.
First up is Königsforst, a 1998 album by GAS, long-term project of Wolfgang Voight.
Long, looping ambient tones evoke an unsettling almost disorienting effect that’s only increased by samples of what seems to be classical music (I would imagine it’s something like Wagner or Berg) with a steady, often muffled techno beat-ever present, a little like hearing someone playing techno in their car far off, somewhere across a wooded landscape. The closest things I can compare it with is the eerie Badalamenti Twin Peaks music or the hauntological Ghost Box. It’s enthralling in a sinister way.
The ambient nature of the pieces on Königsforst also make it difficult, I believe, to term it music in the usual sense. It’s far more a series of sound textures/layers which evoke some emotional (or aesthetic?) response.