
Released a day ago, City, is the second… maybe third album by Wire in the last year or so. It seems like an album of electronic music. There goes my evening…
Released a day ago, City, is the second… maybe third album by Wire in the last year or so. It seems like an album of electronic music. There goes my evening…
July 1979
“Adventure into Fear!”
by Bill Mantlo, Michael Golden and Joe Rubenstein
Cover
Man-Thing is “Guest-Starring” in this issue. He is standing in water holding unconscious Marionette and Rann while the remaining Micronauts are positioned about his feet. While Microtron and Biotron appear to flee, Acroyear wields his energy sword.
PAGES 1-2: The Micronauts and Steve Coffin spend time at Ray Coffin’s fishing cottage in the Everglades.
PAGES 3-5 (3, 6-7): While watching Rann’s dreams, Biotron recounts the 1000-year journey of the Endeavor and the encounter with the Space Wall and the Enigma Force.
PAGES 5-7 (7, 10-11): The Micronauts finish fishing and watch a TV news broadcast about H.E.L.L.
PAGES 7-9 (11, 14-15): At the same time in the Microverse.
PAGES 9-17 (15-17, 19, 22-23, 26-27, 30): Man-Thing and the Micronauts fight.
Next issue: “Then Shall Come a Hero!” The final panel of this issue is fabulous! Karza climbs out of the Prometheus Pit. It’s a nightmarish horror scene.
June 1979
“The Great Escapes”
by Bill Mantlo, Michael Golden and Joe Rubenstein
Cover
The Micronauts are attacking a Folorida Highway Patrol car. Bug is using his lance to melt through the windshield, Acroyear swings a piece of wreckage, Marionette points a gun at the cop.
PAGES 1-6 (1-3, 5-7): The Micronauts and Steve Coffin escape from H.E.L.L.
PAGES 7-8 (10-11): Ray Coffin and Professor Prometheus fall through the Prometheus Pit into the Microverse. Ray encounters the Time Traveler.
PAGES 9-10 (14-15): Karza is summoned by the High Shadow Priest who has information about the arrival of Prometheus. Karza launches a fleet of spacecraft.
PAGES 10-11 (15, 19): Slug rescues Argon and they escape from the Body Banks.
PAGES 12-16 (21-23, 26-27): The Micronauts return to the Endeavor. On route to Ray Coffin’s fishing hut in the Everglades they are chased by the police.
PAGE 17 (30): Karza’s space fleet encounter the giant-sized Prometheus.
Next issue: “But first… the macabre Man-Thing!”
Replaced the right joystick but somehow managed to damage the cable to the connector light on the side of the joycon. It all works fine and has sorted the controller drift.
Moorcock’s The Dreaming City is the first short story featuring Elric, his silver-skinned Melnibonean hero.
The story appeared in the wake of Tolkien’s The Lord of the Rings (published between 1954 and 1955) as well as the renaissance of interest in Howard’s Conan tales (from 1932), Leiber’s Fahfrd & Grey Mouser series (from 1939) and Peake’s Gormenghast series (1950 – 1959). Moorcock insists that he was studying Freud, Jung and the gothic novel at the time and incorporated those elements into this tale.
The setting of The Dreaming City is Melnibone, a once-great empire now in terrible decline. Its noble ruling families have abandoned much of the island and retreated to Imrryr, the capitol, where they spent their time in drugged states.
Elric is an interesting character in the way he subverts the typical tropes of the Fantasy hero. Moorcock insists he IS a hero but one who is cynically driven by revenge to commit barbaric acts assisted by sorcery, demons and a vampiric sword. It’s hard not to use the term Byronic when describing Elric. Moorcock goes out of his way to make Elric an unusual and singular Fantasy hero:
“Elric was tall, broad-shouldered and slim-hipped. He wore his long hair bunched and pinned at the nape of his neck and, for an obscure reason, affected the dress of a southern barbarian. He had long, knee-length boots of soft doe-leather, a breastplate of strangely wrought silver, a jerkin of chequered blue and white linen, britches of scarlet wool and a cloak of rustling green velvet. At his hip rested his runesword of black iron—the feared Stormbringer, forged by ancient and alien sorcery. His bizarre dress was tasteless and gaudy, and did not match his sensitive face and long-fingered, almost delicate hands, yet he flaunted it since it emphasized the fact that he did not belong in any company—that he was an outsider and an outcast. But, in reality, he had little need to wear such outlandish gear—for his eyes and skin were enough to mark him. Elric, Last Lord of Melniboné, was a pure albino who drew his power from a secret and terrible source.“
Instead of saving the damsel and regaining his throne, Elric manages to kill his beloved Cymoril and assist in the ravaging of Imrryr before running away. His black runesword, Stormbringer, vamprically sucks the life from its victims but also energises the congenitally weakened Elric.
After 60 years, it’s difficult to appreciate how fresh and unconventional this story was when first published. Aside from the oddness of Elric, there’s a grim strain of horrific humour that’s almost Pythonesque: heroic characters are described and then swiftly killed (one, Dyvim Tarkan, by falling and breaking his neck), Elric tries to toss Stormbringer into the sea but it refuses to be submerged, characters have names like Tanglebones and Count Smiorgan Baldhead. Elric’s nemesis, Yyrkoon, is in many respects much like him and, in their climactic confrontation at the end of the story, fights Elric with Mournblade, another black runesword (this story is ripe for psychoanalytic analysis).
The Dreaming City also quite epic. There are sword fights, sea battles, elementals and demons as well as dragons. Speaking to his sword at the end of the story, Elric declares the type of character he will be hereafter: “We are two of a kind—produced by an age which has deserted us. Let us give this age cause to hate us!”
May 1979
“The Prometheus Pit”
by Bill Mantlo, Michael Golden and Joe Rubenstein
Cover
Tiny Micronauts – plus Muffin the dog – defending Steve from a Deathlok-type cyborg at the edge of a circular Prometheus Pit. (It’s a great cover!)
PAGES 1-2: The Micronauts arrive at H.E.L.L.
PAGE 3: Biotron has almost repaired the Endeavor.
PAGES 4-7 (6-7, 10-11): Marionette frees Muffin the dog from Ray Coffin’s car and the Micronauts enter the H.E.L.L. building.
PAGES 7-10 (11, 14-16): Professor Prometheus is a crazy cyborg and already knows about the Microverse. Bug defends Steve.
PAGES 11-14 (17, 19, 22-23): On Homeworld, the captured rebels are processed into the Body Banks. Prince Argon has been transformed into a centaur but is easily subdued by Baron Karza. Slug is chosen as the next body for Duchess Belladonna.
PAGES 15-17 (26-27, 30): The Micronauts come to the rescue. Prometheus and Ray Coffin fall into the Prometheus Pit.
Next issue: “The Great Escapes!”
In Reading, That Strange and Uniquely Human Thing, Lydia Wilson, a researcher at the University of Cambridge’s Computer Laboratory, presents investigations into the origins of writing and proceeds to point out that we use a mixture of phonetic, pictographic and classifier elements to read. She goes on:
” If non-dyslexic readers of phonetic scripts, which are usually taught initially through sound-based learning, were also encouraged to learn the word shapes from the start; if those learning pictographic characters chanted them out loud as well as copying them out to memorize them; who knows what new creativity would be unleashed?“
Sometimes there’s no other choice but to use a screwdriver and sort out joycon issues! Poor connection fixed.
Reading the papers’ reporting on the Brexit negotiations today – eapecially The Guardian’s – I half-expected someone to report that Michael Caine was involved in the negotiations and drove off in a Union Jack-decorated mini, fingers up in a V. Chipper Brit underdogs outmanoeuvred grim Euro goliaths seems to be the narrative. If it wasn’t a deadly pandemic and Christmas, doubtlessly we’d be instructed to hold street parties.
April 1979
“A Hunting We Will Go!”
Bill Mantlo (writer), Michael Golden (artist) and Joe Rubenstein (embellisher)
Cover
Karza facing the reader, blasting rebels. In the background dog soldiers are shooting down unarmed people who are running from them
PAGES 1-6 (1-3, 6-7, 10): Dog soldiers raid the underground and round up the survivors as resources for the Body Banks. One of the rebel leaders, Slug, is taken to the Body Banks.
PAGES 6-7 (10-11): On Earth, the damaged Endeavor flies back to Steven Coffin’s house in search of Bug. Aboard, Marionette and Rann argue.
PAGES 8-12 (14-17, 19): Ray and Steve take the wreckage of a wing-fighter to Professor Prometheus at H.E.L.L. Bug follows.
PAGES 13-15 (22-23, 26): The Endeavor returns to Ray Coffin’s house and makes a crash landing.
PAGE 16 (27): Shaitan’s battle cruiser returns to the Microverse. An angry Karza removes the Thoughtwash from the Acroyears.
PAGE 17 (30): While the Endeavor is repaired, the Micronauts leave to find Bug.
Next issue: “The Prometheus Pit!”
Additionally: on page 31 there’s a schematic of the Endeavor, the sort of thing Kirby would present at the back of issues of Fantastic Four. It identifies:
We’re also informed that the consciousness of Rann and Biotron have have been made inseparable over the 1000 years that Rann was in suspended animation: “They had become two coequal, coexistent entities!” There’s an explanation of Rann’s mysterious link to the Time Travelers and the Enigma Force and that Karza had allowed the Micronauts to escape so that Rann might lead Karza to the Enigma Force. It’s mentioned that Rann’s return to Homeworld caused ripples of chaos/uncertainty in the cosmos that even the Shadow Priests couldn’t explain.